Never Stop Chasing
A seven-channel national campaign supporting the theatrical release of the Reed Timmer storm-chasing documentary across 110 theaters in 30 states, with the buy concentrated on the tornado corridor.
SMG built and ran the campaign end to end: digital video and display across YouTube, Connected TV and programmatic; terrestrial radio in sixteen markets across eight owner groups; a psychographically targeted podcast buy on the iHeart Audience Network; Spotify streaming audio with companion display; 160 wild posting placements across Manhattan and Chicago; nine digital bulletins across seven markets; and a creator activation timed to the New York premiere. Radio concentrated weight on the highest-ranked station in each format rather than spreading across a market: all thirteen commercial stations ranked in the top four of their market, twelve in the top three and five of them first. Three public radio stations carried underwriting copy written to each station’s own standards.
Campaign copy ran in two versions, with a pre-opening tag swapping to now-playing on release day across every channel — sixteen stations, podcast, streaming audio and the bulletins, all coordinated to a single date.
Digital carried the volume — 28.1 million impressions across YouTube, Connected TV and programmatic display, with display alone delivering 26.5 million of it on eleven percent of the digital spend. Connected TV completed 959,100 full plays at a 98.9% completion rate and four cents per completed view, and the two video buys together returned 1,133,900 qualified video views against 16,500 ad-attributed site visits. Audio ran to 5.1 million impressions across sixteen radio stations, podcast and streaming — one :30 spot in two versions, deployed through three systems and narrowed to the same 47 holdover ZIP codes within a day of each other.
The film held over in 59 theaters across 23 states, and streaming audio, podcast and an incremental video buy were all extended to match, with the incremental buy concentrated on the four markets where opening weekend indicated room to build. Radio delivered 259 spots against 254 contracted, podcast closed at 102.1% of its order, and streaming audio finished at 92.8% completion.
The headline video figure combines completed Connected TV plays, which cannot be skipped, with YouTube views where the viewer chose not to skip. The two measure different things and are broken out separately in campaign reporting. Ad-attributed site visits are visits to the film’s site attributed to prior Connected TV or display exposure within a thirty-day window; no click is required, and the figure is not a count of ticket sales.
Digital Video & Display · YouTube, Connected TV, Programmatic
:30 cutdown · 16x9
:15 cutdown · 16x9
Terrestrial Radio · Sixteen Stations, Eight Owner Groups

WINS
New York, NY

WXRT
Chicago, IL

WIP
Philadelphia, PA

WTOP
Washington, DC

WBZ
Boston, MA

KTCK
Dallas, TX

KKBQ
Houston, TX

KNIX
Phoenix, AZ

KFXN
Minneapolis, MN

KRFX
Denver, CO

KCFX
Kansas City, MO

WBNS
Columbus, OH

KTST
Oklahoma City, OK

KCRW
Los Angeles, CA

KUOW
Seattle, WA

KPBS
San Diego, CA
Streaming Audio · Spotify with Companion Display
Selected Audio · Terrestrial Radio, Podcast and Streaming
Wild Posting · 160 Placements, Manhattan and Chicago
Digital Bulletins · Nine Panels Across Seven Markets
Creator Activation · New York Premiere
































